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Timothy Leonard Dalton Leggett"Timothy L D Leggett" in the England & Wales Civil Registration Birth Index, 1916–2007, Apr–May–Jun quarter 1946, Aled, Denbighshire, mother's maiden name: Scholes (; born 21 March 1946)Sources disagree about his birth date, with some giving his year of birth as 1944:

whilst others state 1946:

Beginning his career on stage, he made his film debut as Philip II of France in the 1968 historical drama The Lion in Winter. He took roles in the period films Wuthering Heights (1970), Cromwell (1970), and Mary, Queen of Scots (1971). Dalton also appeared in the films Flash Gordon (1980), The Rocketeer (1991), (2003), (2007) and The Tourist (2010).

On television, Dalton's role as Oliver Secombe made him one of the stars of Centennial (1978–1979). He later played Mr. Rochester in the serial Jane Eyre (1983), in the miniseries Scarlett (1994), in the sci-fi series (2009–2010), Sir Malcolm Murray on the Showtime horror drama Penny Dreadful (2014–2016), the Chief on the DC Universe/Max superhero series Doom Patrol (2019–2021), and Donald Whitfield on the Paramount+ western series 1923 (2023–). He portrayed Peter Townsend in the fifth season of The Crown (2022).


Early life
Timothy Leonard Dalton Leggett was born on 21 March 1946 in , Wales, to an English father, Peter Dalton Leggett, who was a captain in the Special Operations Executive (SOE) during the Second World War and was an advertising executive at the time of his son's birth; and an American mother, Dorothy Scholes, of Italian and Irish descent.
(1998). 9780552141376, Corgi. .

Before Dalton's fourth birthday, the family moved back to England to in , where he attended Herbert Strutt Grammar School. As a teenager, he was a member of the Air Training Corps at LXX (Croft & Culcheth) Squadron.

He decided to become an actor at 16 after seeing a production of and got a role in a production of the play at The Old Vic.

(1990). 9780810368750, Gale Research Incorporated. .
He left school in 1962 at 16 to enroll in the Royal Academy of Dramatic Art and tour with the National Youth Theatre. Dalton did not complete his RADA studies, leaving the academy in 1966 to join the ensemble of the Repertory Theatre.
(1983). 9780856135217, Orbis Publishing. .
He had ambitions of being an actor, which pleased his father; "It pleased everybody on my father's side of the family. My mother and her side, however, were worried. None of them felt acting was a secure profession for a young man." Celebrity Magazine, March 1987.


Career
Dalton quickly moved to television, working mainly with the , and in 1968 made his film debut as Philip II of France in The Lion in Winter. This was the first of several period dramas, which included a remake of Wuthering Heights in 1970 in which he portrayed Heathcliff, and the English Civil War drama Cromwell as Cavalier commander Prince Rupert of the Rhine. After a few more films, Dalton took a break in 1971 to concentrate on the theatre, performing with the Royal Shakespeare Company and other troupes throughout the world. In 1975, Dalton and headed the cast of a revival of Noël Coward's .

With two exceptions, the films Mary, Queen of Scots (1971) and Permission to Kill (1975), he remained a theatre actor until 1978. That year he starred in as the husband of 85-year-old , hailing his return to cinema and the beginning of his American career. While in the United States, Dalton worked mainly in television, although he starred in several films. During this time, he played in the science fiction film Flash Gordon (1980) and played Mr. Rochester in a BBC serial of Jane Eyre (1983). Dalton starred alongside in the film The Doctor and the Devils (1985).

Dalton co-starred with in the miniseries, Sins (1986). He was also replaced in two films in which he'd been signed to appear. He was offered the role of real-life British Prime Minister William Lamb in the film Lady Caroline Lamb. The filmmakers replaced him with at the last moment; Dalton sued for breach of contract and won an out-of-court settlement.

In 1985, Dalton was set to play Don Alfonso de la Torré in 's film Pirates. The two men did not get along, so Polanski replaced Dalton with .

(2025). 9780230607781, Palgrave Macmillan. .
Dalton co-starred with Anthony Edwards in the 1988 British comedy film Hawks about two patients who set off on a road-trip together.


James Bond (1986–1994)

Initial offers
Dalton had been considered for the role of James Bond several times. According to the documentary Inside The Living Daylights, the producers first approached Dalton in 1968 for On Her Majesty's Secret Service although Dalton himself in this same documentary claims the approach occurred when he was either 24 or 25 and had already done the film Mary, Queen of Scots (1971), so it has been speculated that it was more likely for Live and Let Die, the film in which made his debut as Bond after in Diamonds Are Forever. Dalton declined the offer and told the producers that he was too young for the role. In a 1987 interview, Dalton said, "Originally I did not want to take over from . He was far too good, he was wonderful. I was about 24 or 25, which is too young. But when you've seen Bond from the beginning, you don't take over from Sean Connery." In either 1979 or 1980, during pre-production of For Your Eyes Only he was approached again, but did not favour the direction the films were taking, nor did he think the producers were seriously looking for a new 007. As he explained, his idea of Bond was different.
(1992). 9781852831417, Boxtree.
In a 1979 episode of the television series Charlie's Angels, Dalton played the role of Damien Roth, a millionaire playboy described by David Doyle's character as "almost James Bond-ian".

In August 1986, Dalton was approached to play Bond after had retired, Dalton would soon begin filming Brenda Starr and could do The Living Daylights only if the Bond producers waited six weeks. The producers were not willing to wait and offered the role to . However, when news of Brosnan's hiring was leaked, the makers of television series , in which Brosnan starred, exercised their right to renew the series, and the offer to Brosnan was withdrawn. Having now completed the filming of Brenda Starr, Dalton was now available and he accepted the part of Bond for The Living Daylights.


Films
Dalton's first appearance as 007, The Living Daylights (1987), was critically successful, grossing more than either of the previous two Bond films with Moore ( (1983) and A View to a Kill (1985)) as well as contemporary box-office rivals such as and . His second film, Licence to Kill (1989), although almost as successful as its predecessor in most markets, did not perform as well at the U.S. box office, in large part due to a lacklustre marketing campaign, whereby the title of the film was abruptly changed from Licence Revoked. The main factor for the lack of success in the U.S. was that it was released at the same time as the hugely successful Indiana Jones and the Last Crusade, 's Batman, and Lethal Weapon 2, during the summer blockbuster season. In the United Kingdom, one of its critical markets, the film was also hampered by receiving a 15 certificate from the British Board of Film Classification, which severely affected its commercial success. Future Bond films, following the resolution of legal and other issues, were all released between 31 October and mid-December, in order to avoid the risk of a summer failure, as had happened to Licence to Kill.

With a worldwide gross of , The Living Daylights became the fourth-most-successful Bond film at the time of its release. In 1998, the second Deluxe Edition of Bond's soundtracks was released. The Living Daylights was one of the first soundtracks to receive Deluxe treatment. The booklet/poster of this CD contains MGM's quote about The Living Daylights being the fourth-most-successful Bond film.

Since Dalton was contracted for three Bond films, the pre-production of his third film began in 1990, in order to be released in 1991. What was confirmed is that the story would deal with the destruction of a chemical weapons laboratory in Scotland, and the events would take place in London, Tokyo and Hong Kong. The film was cancelled due to legal issues between UA/MGM and , which lasted for four years.

The legal battle ended in 1993, and Dalton was expected to return as James Bond in the next Bond film, which later became . Since his contract had expired, negotiations with him to renew it took place. Dalton surprised everyone on 12 April 1994 with the announcement that he would not return as James Bond. At this time, he was shooting the miniseries Scarlett. Two months later, Brosnan, who had been hired to succeed Moore when Dalton had turned down the role in 1986, was announced as the new Bond. Dalton reflected in 2007, "I was supposed to make one more, but it was cancelled because and the film's producers got into a lawsuit which lasted for five years. After that, I didn't want to do it anymore."


Dalton as Bond
Dalton portrayed Bond in The Living Daylights (1987) and Licence to Kill (1989), the fifteenth and sixteenth entries in the franchise. Unlike Moore, who had played Bond as more of a light-hearted playboy, Dalton's portrayal of Bond was darker and more serious. Dalton pushed for renewed emphasis on the gritty realism of novels instead of fantasy plots and humour.
(1995). 9780809232680, McGraw-Hill/Contemporary Books.

A fan of the literary character, often seen re-reading and referring to the novels on set, Dalton determined to approach the role and play truer to the original character described by Fleming. His 007, therefore, came across as a reluctant agent who did not always enjoy the assignments he was given, something seen on screen before, albeit obliquely, only in On Her Majesty's Secret Service. In The Living Daylights, for example, Bond tells a critical colleague, Saunders, "Stuff my orders! ... Tell M what you want. If he fires me, I'll thank him for it." This was an element that appealed to Dalton when he read the script.Q&A Interview With Timothy Dalton by Raymond Benson OO7 Issue #21 1989 In Licence to Kill, he resigns from the Secret Intelligence Service in order to pursue his own agenda of revenge.

This approach proved to be a double-edged sword. Film critics and fans of Fleming's original novels welcomed a more serious interpretation after more than a decade of Moore's approach. However, Dalton's films were criticised for their comparative lack of humour. Dalton's serious interpretation was not only in portraying the character, but also in performing most of the stunts of the action scenes himself. His director, John Glen, commented "Tim is a very convincing James Bond. When he has a gun in his hand, you believe he really could kill someone. I don't think that was ever the case with Roger Moore."Marshall Fine. "LICENCE TO ACT – TIMOTHY DALTON USES BOND TO GET WHAT HE WANTS". 1989 interview

Some modern critics have compared Dalton to . In 2006, Gwladys Fouché of The Guardian wrote "while Connery was cool, and Brosnan brilliant, only Dalton could show the dark side of Fleming's fearless agent ...Bond want Bond to be closer to the original Ian Fleming character. They want him to be grittier, darker and less jokey. What they really want, it seems, is to have Dalton back." Dalton himself has claimed that the Bond films starring Daniel Craig are "believable" in the way he wanted his own Bond films to be:

Of his time as Bond, Dalton recalled:

His time as Bond allowed him to work on projects that were of interest to him; "''Hawks'' deals with the subject of extraordinary relevance: Why does it take a crisis to make you realize how bloody precious life is? Unfortunately, it's about cancer, which is a not a word the film business thinks of as being particularly commercial. Still, doing the first Bond film enabled me to get ''Hawks'' made. Doing the Bond film helped the O'Neill play find an audience. This is a commercial business. If you have a commercial success, you have enhanced viability."Marshall Fine Interview. 1989
     


Post-Bond career
After his Bond films, Dalton divided his work between stage, television and films, and diversified the characters he played. This helped him eliminate the 007 typecasting that followed him during the previous period. Dalton was nevertheless for a certain period considered for a part in the Bond film . Instead, he played spy Neville Sinclair in The Rocketeer (1991), and in Scarlett, the television sequel to Gone with the Wind. He also appeared as criminal informant Eddie Myers in the acclaimed British TV film Framed (1992). He had a major part in an episode of the TV series Tales from the Crypt.

During the second half of the 1990s he starred in several cable films, most notably the Irish Republican Army drama, The Informant, and the action thriller Made Men. In the TV film Cleopatra (1999) he played . He played a parody of James Bond named Damian Drake in the film (2003). At the end of that year and the beginning of 2004, he returned to theatre to play in the stage version of His Dark Materials. Dalton played Simon Skinner, who ran the local supermarket, in the film , which was released in 2007.

Dalton returned once again to British television in a guest role for the 2009–10 two-part special "The End of Time", playing . He was first heard in the role narrating a preview clip shown at the 2009 Comic Convention. In 2010 and 2011, he starred in several episodes of the fourth season of the American spy comedy Chuck as .

Dalton voiced the character Mr. Pricklepants in Toy Story 3, which was released on 18 June 2010; and again in the television specials Toy Story of Terror! (2013) and Toy Story That Time Forgot (2014), and the sequel Toy Story 4 (2019). In 2012, Dalton voiced Lord Milori in Secret of the Wings, as part of the franchise and the fourth film direct-to-DVD instalment of the Tinker Bell film series.

From 2014 to 2016, Dalton portrayed the character Sir Malcolm Murray for three seasons on the Showtime original television series Penny Dreadful.

From 2019 to 2021, Dalton portrayed the Chief in the DC Universe / HBO Max superhero series Doom Patrol.


Personal life
Dalton was in a relationship with reporter as a youth,Kate Adie, The Kindness of Strangers (London, 2002), p. 81. and actress (with whom he appeared in the 1971 film Mary, Queen of Scots and the 1979 film Agatha) between 1971 and 1986. He briefly dated actresses and . Companions for Timothy Dalton tcm.com

He was in a relationship with musician Oksana Grigorieva in the 1990s; they met in 1995 while she was employed as a translator for . Dalton and Grigorieva had a son together, born in 1997.. They broke up around 2003.

Dalton has residences in in London, West Hollywood, California and St. John's, Antigua and Barbuda.

Dalton is a Manchester City F.C. supporter, and is often seen at the City of Manchester Stadium to watch the team play. Although he was born in Wales, Dalton has confirmed he is not "really Welsh other than being born there", but says he doesn't "mind one bit to be named among" the Welsh contingent of actors.


Filmography

Bibliography


External links
  • Dalton bio, pelicanpromotions.com.au; accessed 21 March 2015.
  • Https://web.archive.org/web/20130123011716/http://www.bbc.co.uk/wales/northeast/guides/halloffame/showbiz/timothy_dalton.shtml, BBC North East Wales Showbiz; accessed 21 March 2015.
  • Dalton biodata, bbc.co.uk; accessed 21 March 2015.

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